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Freestyle Puts Its Label on "Shock" (The Hollywood Reporter)
 




Taste Of Freestyle (Screen Daily)
 
 



An American Haunting Release (Hollywood Reporter)
 
 
Freestyle Releasing's "An American Haunting" debuted in the third spot with $5.8 million from 1,680 theaters. After "M.I-3," the PG-13 rated "Haunting" had the hghest per-theater average of the top 12 films this past weekend. The horror film, produced by After Drk Productions, averaged $3,443 per theater.

 



Small Miracles: (Variety)
Stepping Outside Studio Tentpole Shadows, do-it-yourself Producers Get Release
 

Distributoes say the structure of rent-a-system deal are all over the map, ranging from 10-20% of theatrical revenues to flat upfront fees to a "success bonus" on the backend, all depending on the size of the release and how much work is involved.

Freestyle's Mark Borde says going with an established company like his ensures that a film gets "in the front door. Exhibitors prefer to work with established distributors. It's a relationship business."

Anotherr benefit, according to Borde, is that the rent-a-distribs can collect and pay producers quicker than studios.

 


Nightmare on Logistics Street (Los Angeles Business Journal) by Joel Russel
Release of '8 Film To Die For' was a pain, but may have broken ground for film distribution
 
When a film director suggested releasing eight low-budget horror movies to be shown for one weekend only, Mark Borde couldn't believe his own reaction. "I actually said, 'That's a good idead,'" recalled Borde, co-president of Freestyle Releasing LLC, an independent film distributor in Malibu.

The anthology "8 Films To Die For" opened in 488 theaters nationwide on Nov. 12. During its three-day lifespan, it grossed $2.3 million to rank number 10 in the weekend box office competition.

"8 Films" amounted to an ad-hoc film festival. Each theater agreed to show three films on Friday, another three on Saturday and then two on Sunday. Each film had two showings. As it worked ou, the fest turned in strong numbers for per-screen revenues ($4,735), beating six of the to 10 films according to data from Exhibitor Relations Co. All the other films among the top ten had at least 1,200 screens

Perhaps Borde would have reacted differently if the initial suggestion hadn't come from Courtney Solomon, director of last summer's "An American Haunting." That film, distributed by Freestyle, grossed more than $20 million and was, in Borde's words, "a homerun for us."

Solomon's follow-up project - "8 Films" - was based on a marketing formula developed for "Haunting". It allowedhe entrepreneur to reach his core audience of 18- to 34- year-old males in a more cost-effective way than the major studios.

According to Borde, studios usually distribute a film by picking a date, spending $20 million a film on advertising, putting the moviein 3,000 or more theaters and hoping for the best. Even the ad spending follows a formula with set percentages going to TV, radio, Internet, and newspapers.

But "Haunting" used billboards and the Internet to reach its target audience. For "8 Films," Freestyle repeated that strategy, buying outdoor ads in 35 top markets and banners on horror-related websites. As a kicker, the distributor bought a few cable spots on MTV and Spike TV, both channels that target young males.

However, Borde said, the execution turned out much tricker than he expected.

"It was a great idea," he said in retrospect, "but a logistical nightmare."

 

Please visit our film library for list of projects in various genres that we have completed successfully!


An American Haunting Release
(Hollywood Reporter)

Small Miracles
(Variety)

Nightmare on Logistics Street
(LA Business Journal)

         
Check out the film library with a detailed
view of notable releases:
 
An American Haunting
The Illusioninist
Kickin' It Old Skool
Dirty Deeds
Find Me Guilty
The Abandoned
First Snow
Civic Duty
Modigliani
Hotel
Killer Diller
Winter Passing
  and more . . .